
This past weekend I participated in the Sequence of Waves exhibition organized by the collective Rabid Hands. After a 10 day residency in the St. Cecilia's convent in Greenpoint, the show opened for 1 day only on January 29th.
I collaborated on an installation with Phillip David Stearns. Our project was inspired by the meditative, hyper-aware state one experiences in a remote winter time setting. Phillip constructed a string instrument tensioned between the floor and ceiling that was triggered by stillness. Motors with fishing wire attached to them were set off in succession, striking the strings to build a layered and dense sound. I constructed the crystalline light boxes that ran around the room in a dark to light gradient, suggesting peripheral vision and highlighting natural textures. These structures were joined in the center by a backlit seamless, an infinite space. Movement that altered the light from these fixtures would in turn silence the undulating strings.
Here is a write up on the
Rhizome blog.